广州东山圣乐团

万王之王的礼赞，世代回响的杰作

 "Praising the King of kings, Singing for ever and ever."

 

亨德尔：弥赛亚

Handel's Messiah (Excerpts)

——暨天河堂筹款大型清唱剧音乐会

——Oratorio Concert & Fund-raising for Tianhe Church

 （精选英文原版，附带中文字幕）

 

香港演出者：陈永华教授 （指挥）　　HK Performers: Prof. Chan Wing-wah (Conductor)
　　　　　　陈爱坚 （女高音）　　　　　　　　　 Penelope Chan (Soprano)
　　　　　　陈得美、许羡仪（女低音）　　　　　   May Chan, Lovina Hui (Alto)
　　　　　　张健华 （男低音）　　　　　　　　　 Petrus Cheung (Bass)
　　　　　　黄健羭 （管风琴）　　　　　　　　　 Wong Kin-yu (Organ)
　　　　　　香港圣乐团（合唱）　　　　　　　　   Hong Kong Oratorio Society (Choir)
广州演出者：广州市东山堂圣乐团（管弦乐团）GZ:Guangzhou Dongshan Church Orchestra

 

　　　门票已经开始发售，发售时间：逢星期日， 发售地点：东山堂

（将会安排免费开放排练，有需要者敬请提前预约。）

详情可联系 Contact us by E-mail: i-art@qq.com  http://i-art.spaces.live.com

 

特邀：香港圣乐团 　http://www.oratorio.org.hk
    香港圣乐团为一非牟利团体，于1956年由黄明东先生及一群音乐爱好者组成。他们深信演唱优雅的音乐能带给歌者和听众喜乐，提高个人素质，并提供市民优质的精神与文化生活。
    香港圣乐团从几名音乐爱好者发展到现今拥有过百名不同国籍的团员，经历了几代音乐大师的领导，已成为香港历史最悠久和最活跃的合唱团。每年平均举办五场音乐会，过去五十年已举办了超过三百多场音乐会，演唱古典和近代作曲家所写的神曲和大型合唱作品，包括巴赫、韩德尔、海登、 莫扎特、门德尔颂、洗星海、黄自等经典创作，其中许多是香港首演。
    香港圣乐团最善长演绎富戏剧性内容的神曲 (oratorio)，故取名 Oratorio Society。并委约华人作曲家创作合唱曲，当中包括陈永华、陈伟光及黄安伦。 香港圣乐团自1996年至今，共出版了四张激光唱片，作全球发行，均获得高度评价。
    香港圣乐团的创团指挥为黄飞然老师，后由黄永熙博士历任首席指挥及荣誉指挥，自1995年由陈永华教授应邀担任音乐总监兼指挥，现任荣誉赞助人为香港特首夫人曾鲍笑薇女士。
    香港圣乐团常在专业的指挥名家带领下演唱，曾合作的包括严良堃、阎惠昌、陈佐湟、邵恩、俞峰、陈澄雄、张艺、曹丁、张毓君、陈晃相、符润光、苏明村、官美如、赵伯承、潘明伦、David Wilcox、Veiga Jardim等。亦曾多次前往海外演唱，足迹遍达加拿大、以色列、菲律宾、韩国、台湾、新加坡等地，并曾数度应邀在中国多个主要城市演出经典曲目。曾与多个职业乐团合作，包括北京中央芭蕾舞交响乐团、深圳交响乐团、澳门乐团、台湾省立交响乐团、香港小交响乐团、香港管弦乐团及香港中乐团，均合作愉快。
    香港圣乐团的百位团员皆为业余音乐爱好者，团务由九位在周年团员大会中选出的团员组成执行委员会管理。音乐总监及荣誉会长为执行委员会的当然委员。全体委员以义务工作形式参与，并得数名社会贤达慷慨赞助经费。香港圣乐团致力贡献社会，过去曾经连续十七年与在港的日本人俱乐部合办筹款音乐会，所筹款项拨捐香港公益金作慈善用途, 是少数在香港积极参与慈善事务的音乐团体之一。详情请浏览网址 www.Oratorio.org.hk

Hong Kong Oratorio Society
    Hong Kong Oratorio Society (HKOS) is a non-profit-making organization founded in 1956 by Mr Wong Ming Tung and a group of music enthusiasts who believed that singing beautiful music would bring joy to the singers and the listeners alike. It further helps to enhance our personal quality and provides citizens with rich spiritual and cultural life.
    From a humble start of a handful of music enthusiasts to over a hundred members with different nationalities, the HKOS has been guided by generations of great musicians has become the most active choir with the longest history and the largest membership in Hong Kong.  It usually presents five concerts per year with a total of more than three hundred concerts presented in the last fifty years.  Its repertoire covers oratorios and major choral works by classical and contemporary composers.  They include the masterpieces of Bach, Handel, Haydn, Mozart, Mendelssohn and Chinese composers Xian Xinghai and Huang Zi, etc. Many of these works were debut in Hong Kong.       
    HKOS takes its name from its favourite genre of repertoire, the oratorio, which refers to extended choral works with religious or mythological stories.  In recent years, HKOS has commissioned Chinese composers Chan Wing-wah, Victor Chan and Huang An-lun to write music. From 1996, HKOS has also produced four CD recordings distributed worldwide.
    The first conductor of the choir was Mr. Frank Huang who was then succeeded by Dr Wong Wing Hee  serving  as Principal Conductor and Conductor Emeritus for many years before retiring. The present Music Director, Prof. Chan Wing-wah took over the baton after a few successful collaborations with HKOS since 1995. The current Honorary Patron is Mrs Selina Tsang, wife of Donald Tsang, Chief Executive of HKSARG.
    The choir has performed under the batons of many professional conductors including Yan Liang-kun, Yan Hui-chang, Chen Zuo-huang, Shao En, Yu Feng, Chen Tscheng-hsiung, Zhang Yi, Cao Ding, Andrew Cheung, Jimmy Chan, Raymond Fu, Allison So, Carmen Koon, Patrick Chiu, Johnny Poon, David Wilcox, Veiga Jardim, etc.  The Central Ballet Symphony Orchestra of Beijing, Shenzhen Symphony Orchestra, Macao Orchestra, Taiwan Symphony Orchestra, Hong Kong Sinfonietta, Hong Kong Philharmonic Orchestra and The Hong Kong Chinese Orchestra had all collaborated with the HKOS. HKOS has also gone on overseas tours to Canada, Israel, the Philippines, Korea, Taiwan, Singapore as well as many major cities in Mainland China.
    HKOS members are keen music lovers and enjoy singing. Its planning and execution are managed  by 9 committee members on a non-remunerative basis elected by all members during the annual general meeting. The Music Director and Honorary President are ex-officio members of the Executive Committee. The concerts are supported by several generous patrons.

    HKOS has been contributing to Hong Kong through singing such as the continuous collaboration for 17 years in the form of charity concerts with the Hong Kong Japanese Club Choir.   For more information, please visit our homepage www.Oratorio.org.hk .

特邀指挥：陈永华教授
         陈永华教授自1995年带领香港圣乐团于每年乐季演出不同曲目及作海外演出，由巴勒思汀拿、巴赫、韩德尔、海登、莫扎特、贝多芬、舒伯特、布拉姆斯、门德尔颂到卢特等，创作部份更是香港首演。他曾指挥乐团包括上海、北京、澳门、深圳、韩国光州以及香港管弦乐团、香港小交响乐团、香港中乐团及香港弦乐团等。
        陈教授是一名多产的作曲家，多为管弦乐、室乐及合唱作品，当中包括诗歌、儿歌及电影音乐。
        他是香港管弦乐团首位驻团作曲家，并曾指挥该团首演他的第五交响曲《三国志》、第六交响曲《九州岛同》及其它管弦乐。亦曾指挥香港中乐团首演他的第七交响曲《长城》及他为管风琴、合唱及中乐队所作的第八交响曲《苍茫大地》。
        陈氏的八首交响曲，其中七首由雨果制作有限公司出版，由香港小交响乐团，香港中乐团及俄罗斯的两队交响乐团灌录。
        曾获美国「国际双簧协会作曲比赛首奖」，日本「入野义朗纪念奖」，北京中华民族文化促进会《廿世纪华人音乐经典》奖。香港艺术家联盟颁「1991作曲家年奖」，1992年「十大杰出青年」奖，香港电视广播有限公司《儿歌金曲奖》，香港作曲家及作词家协会「1997本地正统音乐最广泛演出奖」及2004、2007「最佳正统音乐作品金帆音乐奖」。曾演出他作品的地区有阿根廷、澳大利亚、加拿大、中国大陆、德国、匈牙利、意大利、日本、韩国、波兰、罗马尼亚、新加坡、斯洛文尼亚、西班牙、瑞士、台湾、英国及美国的乐团等。
        他的近作分别在以下项目演出，包括 : 德国斯图加特的「国际现代音乐协会世界音乐节」、斯洛文尼亚「卢布尔雅那夏日音乐节」、意大利迪里雅斯特的首届音乐节、波兰Lodz「亚历山大唐斯曼音乐节」、西班牙马德里的LIM 2Mil及毕尔巴古根海姆博物馆的BBK艺术节。
        最近期作品包括2008年3月在瑞士温特图尔及伯恩的「Klang-Klee音乐节」中首演的作品《东方花园》。他被列入「葛洛夫音乐百科全书」在线版。
        陈氏现任香港作曲家及作词家协会主席，香港中乐团理事、香港儿童合唱团名誉音乐总监，及多个团体的顾问包括中国广播民族乐团、香港管弦乐团、香港舞蹈团及康乐文化署等。亦曾任香港作曲家联会主席，艺术发展局委员及赛马会音乐及舞蹈基金会主席逾十年。2000年获港府委任为太平绅士。
        陈氏于香港中文大学音乐系主修作曲，同时亦获伦敦圣三一音乐学院作曲院士衔。毕业后连续五年获英联邦奖学金赴加拿大多伦多大学深造，获音乐硕士及博士衔。亦曾获德国学术交流部奖学金参加达木斯达现代音乐夏令班。
        1986- 2007年间曾任教于香港中文大学音乐系及为音乐讲座教授，出任该系系主任超过十年。现任香港大学专业进修学院之人文及法侓学院副总监，与其创意及表演艺术中心总监。

Prof. Chan Wing-wah, Music Director & Conductor
    Music Director of the Hong Kong Oratorio Society since 1995, Chan has been leading this choir with regular seasonal concerts and occasional concert tours to perform oratorios and other masterpieces from Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Brahms, Mendelssohn to Rutter. Several of which are Hong Kong premieres. He has conducted orchestras in Shanghai, Beijing, Macao, Shenzhen, Gwangju(Korea) in addition to the HK Philharmonic Orchestra, HK Sinfonietta, HK Chinese Orchestra and HK Strings.
    Prof. Chan is a prolific composer of orchestral, chamber and choral works including hymns, children songs and film scores.
    He was for three seasons Resident Composer of the Hong Kong Philharmonic Orchestra with which he has conducted the premiere of his Symphonies No.5 ‘The Three Kingdoms’ and No.6 ‘Reunification’.  He had also conducted the Hong Kong Chinese Orchestra to premiere his Symphony No. 7 ‘The Great Wall’ and Symphony No.8 ‘This Boundless Land’ for organ, choir and orchestra.
    Published by Hugo Productions, his Symphonies Nos 1, 3, 4, 5, 6 were recorded by the Russian Philharmonic Orchestra, Voronezh State Symphony Orchestra in Russia.and the Hong Kong Sinfonietta whereas his Symphonies No. 7 and 8 were recorded by the Hong Kong Chinese Orchestra..
    His international awards include First Prize in the International Double Reed Society Composition Conest, USA; the Yoshiro Irino Memorial Award from the Asian Composers League and the 20th Century Masterpiece Award by the China Culture Promotion Society, Beijing.  Locally he received the Composer of the Year Award from the Hong Kong Artists' Guild (1991), the Ten Outstanding Young Persons Award (1992), TVB Children Song Gold Award, CASH Golden Sail Music Awards 2004 and 2007. His music has been performed in Argentina, Australia, Canada, Mainland China, Germany, Hungary, Italy, Japan, Korea, Poland, Romania, Russia, Singapore, Slovenia, Spain, Switzerland, Taiwan, UK, and the USA.
    His recent works were performed in International Society for Contemporary Music-World Music Days Festival in Stuttgart, Germany; Summer Music Festival in Ljubljana, Slovenia; Trieste Prima Festival in Trieste, Italy; Alesander Tansman Music Festival in Lodz, Poland; Festival LIM 2Mil in Madrid and the Festival BBK in the Guggenheim Museum in Bilbao, Spain.
    His latest commissioned work on a painting of Paul Klee was premiered in Winterthur and Bern, Switzerland in March, 2008 in a festival entitled Klang-Klee.  His biography is included in the New Grove Dictionary of Music & Musicians Online.
    Chan serves as Chairman of the Composers and Authors Society of Hong Kong since 1994, he is also a member of the Council of Directors of the Hong Kong Chinese Orchestra, Honorary Music Director of the HK Children’s Choir, Honorary Advisor of the China Broadcasting Folk Orchestra (Beijing), Hong Kong Philharmonic Orchestra,

Hong Kong Dance Company and artistic advisor to the Leisure and Cultural Services Department.. He had also served as a member of the Arts Development Council for over ten years, Chairman of the Hong Kong Composers' Guild 1993-2004 and the Jockey Club Music and Dance Fund 1996-2006.  The Hong Kong Government appointed him Justice of the Peace in 2000.
    He graduated from the Chinese University of Hong Kong where he earned his BA meanwhile received the FTCL in Composition from the Trinity College of Music, London. He further studied composition at the University of Toronto and earned his Master and Doctor of Music degrees on a British Commonwealth Scholarship. He had also attended the Darmstadt Summer Course in New Music on a grant from the German Academic Exchange Service.
    Prof. Chan has lectured on music at the Chinese University of Hong Kong from 1986- 2007. He had been Chairman of its Department of Music for over ten years. He is now Associate Head the College of Humanities and Law at the School of Professional And Continuing Education, The University of Hong Kong (HKU SPACE) and Head of  its Centre for Creative and Performing Arts.

特邀管风琴家：黄健羭女士
    黄健羭是活跃于香港乐坛的管风琴家。她毕业于香港中文大学，并持有香港大学教育文凭，又先后考获英国皇家音乐学院钢琴教学及风琴演奏文凭。一九七六年，黄氏赴伦敦皇家音乐学院深造，随韩伟志及柏理学习风琴演奏及钢琴伴奏，获LRAM、 ARCM演奏文凭及两项风琴演奏奖。黄氏又曾于荷兰、法国、西班牙及日本参加世界著名风琴家之大师班。
    黄氏曾在本港多处举行风琴独奏会，又经常为独唱者及合唱团担任钢琴及风琴伴奏。她曾于中国数个主要音乐厅作独奏及伴奏演出，包括广州星海音乐厅、北京国家大剧院、深圳音乐厅等。黄氏任香港圣乐团伴奏逾廿载，与本港多个合唱团作伴奏演出无数。她也是香港管弦乐团及香港中乐团的特约风琴师。多年来，她亦是循道卫理联合教会九龙堂之风琴师。
    除演奏外，黄氏在香港中文大学、香港演艺学院、香港浸会大学、香港教育学院及建道神学院教授风琴。

WONG Kin Yu, Organist
    WONG Kin Yu is one of the most active organists in Hong Kong. A graduate from the Chinese University of Hong Kong, she also holds the Diploma in Education from the University of Hong Kong and the LRSM diplomas in piano teaching and organ performance. In 1976, she pursued her studies at the Royal Academy of Music, London where she studied organ with Douglas Hawkridge and piano accompaniment with Geoffrey Pratley. While at the Academy, Wong was awarded the LRAM and ARCM diplomas and two major prizes on organ performance. She has also participated in master-classes of world-renowned organists in the Netherlands, France, Spain, Switzerland and Japan. Wong Kin Yu has given many organ recitals and appears frequently as piano and organ accompanist for soloists and choirs. She has performed as soloist and accompanist in several major concert halls in China, including the Xinghai Concert Hall in Guangzhou, the National Grand Theatre in Beijing and the Concert Hall in Shenzhen. Wong has been the regular accompanist of the Hong Kong Oratorio Society or more than 20 years and has cooperated with many local choirs in numerous performances. She is the freelance organist of the Hong Kong Philharmonic Orchestra and the Hong Kong Chinese Orchestra. She has also served as the organist of the Kowloon Methodist Church for many years.
    Besides giving performances, Wong teaches organ at the Chinese University of Hong Kong, the Hong Kong Academy for Performing Arts, the Hong Kong Baptist University, the Hong Kong Institute of Education and the Alliance Bible Seminary.

 

广州市东山堂圣乐团
        广州市东山堂圣乐团是东山堂内部一个慈善和公益性质的管弦乐团，也是全省唯一的教堂圣乐管弦乐团。乐团成员都是由音乐有恩赐的音乐家及热心的爱好者组成，当中有来自专业乐团的职业演奏家，也有来自音乐学院的高材生，亦有从小就开始学习乐器的佼佼者。他们都有着美妙的音乐恩赐，具备相当出色的音乐素质。
        乐团平时积极参与教会事奉，并致力缔造一个圣洁的艺术氛围，令大家属灵生命的成长得到培养，并有不断地提高艺术修养和积累下丰富的管弦乐队实践经验。
        乐团所献演的曲目多元化，有福音曲，改编自圣诗之乐曲，以及巴赫，亨德尔，海顿，莫扎特，贝多芬等等众多巴洛克时期和古典主义时期大师的作品。乐团的创始人和常任指挥是何卓毅先生。乐团自2008年成立以来，已经成功地举办及献演了多场音乐会和赞美会，给信众和听众带来来自深处的非言语能表达的福音。
        愿我们携手并进，从心底奏出对至高上主的赞美与感谢，并且通过更多感人至深的音乐，为许多世上迷途的人们照亮他们人生的旅途，令更多迷途的羊羔得以驻足侧耳倾听这来自天上的福音。

Dongshan Church Orchestra

    Dongshan Church Orchestra, which committed to charity and public welfare, is the unique church philharmonic orchestra in GD province. The cultivation of art and the spiritual life of the artists are growing in a holy atmosphere which created the orchestra. It plays different pieces from Gospel music to hymn which composed by the great composers such as Bach, Handel, Haydn, Mozart and Beethoven from Baroque to Classic era.
    Johann Ho, as the conducer and one of the founders of the Orchestra, held many concerts successfully as well as brought the Gospel to the audience since 2008. 
    The God would be satisfied and get his will by praise of the holy voice. Wishes more pious, pure, beautiful music can be played and enjoyed by the audience.

大型清唱剧《弥赛亚》
       《弥赛亚》是亨德尔23部神曲之中最杰出的作品，仅用了24天的时间就作成了。这部有史以来最伟大的神剧，应是抚慰心灵的最大力量。它客观地描写耶稣出生、受难和救赎的过程，将福音置于想象的舞台，并使圣经故事推向戏剧性的高峰。音乐把光辉的信息注入人们的心灵，激动人心的音乐中，使人们感受上帝的威严圣洁、慈爱与恩典。
       亨德尔巧妙地综合了意大利歌剧、德国受难曲、英国赞美诗和法国古典歌剧的各种表现形式，而又以单纯直接而又平易近人的方式彰显动人的信仰情怀，完全符合“平衡”的美学原则。它是神圣与世俗，理性与感性，精致与平易之间的平衡，如今《弥赛亚》有多种表现风貌的原因在此，而这部神剧能超越时空，永垂不朽的根源也在此。
　　 当亨德尔写到哈利路亚大合唱时，他泪流满面惊呼：“我看见了天国和耶稣！”“至诚如神”，似乎已经亲身看见、亲手触摸到救世主，而他的生命至此全然改变，可体会出他成熟的信仰情操──他不再急功好利，他开始追求人生真实的意义，将一切的荣耀归与真神上帝。也惟有这样伟大的心灵，才能谱出感人至深的音乐，为许多世上迷途的人们指点迷津，照亮了他们人生的旅途。
        世上有许多贫穷的人，也因著《弥赛亚》的演出而多少获得些帮助，许多医院更因而被建造或改建。世界上各个角落每年都有人因为唱《弥赛亚》而获得心灵上的鼓舞，产生更多向上迈进的力量。许多基督徒因为听了它而更爱主、爱人。也有不少非基督徒因为参与了《弥赛亚》的演出而深受感动，决心追求真理、用音乐服事世人；福音的种子撒播在各种数不尽的唱过、听过“Messiah”的人心田之中，任何适当的时期，都可能发芽开花而结果。
       《弥赛亚》全曲主要精神虽然注重救赎的信息，却又超越了教会的教义，成为一种非礼仪的圣乐，而向全世界人类传达救恩的喜讯。它的内容彻头彻尾取材于圣经，采用以赛亚书为重心，诗篇、福音书及书信为辅佐，约伯记及小先知书（哈该书、撒迦利亚、玛拉基书）则适当地穿插其中，却能有一贯的精神，它实在不是圣经的选辑而已。亨德尔采撷圣经资料的广博及其一贯性，证明了他本身对于救世主、“弥赛亚”的神学及福音深入了解的成熟度。《弥赛亚》实在是一首颂赞救主基督全生涯的作品，从旧约圣经的预言，到主耶稣的出生、生活、受难、受死及复活，以迄荣耀的再临。
        亨德尔生前曾说过：“假如我的音乐只能使人们愉快，那我很遗憾。我的目的是使人能高尚起来。”《弥赛亚》正是一部这样的作品。

 

在至高之处荣耀归于上帝，在地上平安归于他所喜悦的人。（路加福音2:14）
Glory to God in the highest, and on earth peace, good will toward men. (Luke 2:14)

 

齐心协力  共建天河堂——我们共同的心愿
     天河堂位于广州天河区，临近广州市奥林匹克体育馆，占地面积8830平方米。它是新中国成立以来由广州教会建造的第一座教堂。该堂建成后为集礼拜堂、培训楼、办公室等多功能为一体的综合性建筑，可以容纳3000人同时参加礼拜，将是目前广东省最大的礼拜堂。预计在2010年亚运会前完工，将会成为广州市的一个独特的景观和各国运动员进行主日礼拜的场所。
     广州市基督教三自爱国运动委员会主席冯浩牧师说：“圣经告诉我们，圣殿唯一的根基是耶稣基督。因此，我们不仅仅是在建造一座有形的教堂建筑，更是在建造一座符合上帝心意的万人祷告的殿；一座发出光辉的金灯台。我们深深地知道，建造天河堂是父神在新世纪给予广州教会一项神圣的托付，我们满怀信心、刚强壮胆，依靠上帝的大能大力，承接大使命，共建天河堂。”
      愿美好的赞美晚会给大家送去一份温馨与喜乐，并甘心乐意地为建设天河堂尽上本份。以马内利！

 

Programme

Part：I

第一部分

(1) Overture 序曲

 

(4) Chorus 合唱
And the glory of the Lord shall be revealed. And all flesh shall see it together, for the mouth of the Lord hath spoken it. (Isaiah 40: 5)
耶和华的荣耀必然显现，凡有血气的，必一同看见，因为这是耶和华亲口说的。（以赛亚书40:5）

 

(6) Air (Alto) 咏叹调（女低音）
But who may abide the day of His coming? And who shall stand when He appeareth? For He is like a refiner's fire. (Malachi 3:2)
他来的日子，谁能当得起呢？他显现的时候，谁能立得住呢？因为他如炼金之人的火，如漂布之人的碱。（玛拉基书3:2）

 

(7) Chorus 合唱
And He shall purify the sons of Levi. . . That they may offer unto the Lord an offering in righteousness. (Malachi 3:3)
他必坐下如炼净银子的，必洁净利未人，熬炼他们像金银一样。他们就凭公义献供物给耶和华（玛拉基书3:3）

 

(11) Air (Bass) 咏叹调（男低音）
The people that walked in darkness have seen a great light: and they that dwell in the land of the shadow of death, upon them hath the light shined. (Isaiah 9:2)
在黑暗中行走的百姓看见了大光；住在死荫之地的人有光照耀他们。（以赛亚书9:2）

 

(12) Chorus 合唱
For unto us a Child is born, unto us a Son is given, and the government shall be upon his shoulder, and his Name shall be called: Wonderful, Counsellor, The Mighty God, The Everlasting Father, The Prince of Peace! (Isaiah 9:6)
因有一婴孩为我们而生，有一子赐给我们，政权必担在他的肩头上。他名称为“奇妙策士”、“全能的神”、“永在的父”、“和平的君”！（以赛亚书9:6）

 

(14) Recitative (Soprano) 宣叙调（女高音）
There were shepherds abiding in the field, keeping watch over their flock by night. (Luke 2:8)
野地里有牧羊的人，夜间按着更次看守羊群。（路加福音2:8）

 

(15) Recitative (Soprano) 宣叙调（女高音）
And the angel said unto them: Fear not; for behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day, in the city of David, a Saviour, which is Christ the Lord. (Luke 2:10-11)
那天使对他们说：“不要惧怕，看哪！我报给你们大喜的信息，是关乎万民的，因今天在大卫的城里，为你们生了救主，就是主基督。”（路加福音2:10-11）

 

(16) Accompagnato (Soprano) 宣叙调（女高音）
And suddenly there was with the angel a multitude of the heav'nly host, praising God, and saying: (Luke 2:13)
忽然，有一大队天兵同那天使赞美上帝说：......（路加福音2:13）

 

(17) Chorus 合唱
Glory to God in the highest, and peace on earth, good will towards men! (Luke 2:14)
在至高之处荣耀归于上帝，在地上平安归于他所喜悦的人。（路加福音2:14）

 

(18) Air (Soprano) 咏叹调（女高音）
Rejoice greatly, O daughter of Zion, shout, O daughter of Jerusalem, behold, thy King cometh unto thee. He is the righteous Saviour, and he shall speak peace unto the heathen. (Zechariah 9:9-10)
锡安的民哪，应当大大喜乐；耶路撒冷的民哪，应当欢呼。看哪，你的王来到你这里。他是公义的，并且实行拯救。他必向列国讲和平。（撒迦利亚书 9:9-10）

 

(19) Recitative (Alto) 宣叙调（女低音）
Then shall the eyes of the blind be opened, and the ears of the deaf shall be unstopped. Then shall the lame man leap as an hart, and the tongue of the dumb shall sing. (Isaiah 35:5-6)
那时瞎子的眼必睁开，聋子的耳必开通。那时瘸子必跳跃象鹿，哑巴的舌头必能歌唱。（以赛亚书35:5-6）

 

(20) Air (Soprano & Alto) 咏叹调（女高音及女低音）
He shall feed his flock like a shepherd; and he shall gather the lambs with His arm, and carry them in His bosom, and shall gently lead those that are with young. (Isaiah 40:11)
Come unto [Him], all ye that labour and are heavy laden, and [He shall]give you rest. Take [his] yoke upon you, and learn of [Him]; for [he is] meek and lowly of heart: and ye shall find rest unto your souls. (Matthew 11:28-29)
他必象牧人牧养自己的羊群，用膀臂聚集羊羔抱在怀中，慢慢引导那乳养小羊的。（以赛亚书40:11）
凡劳苦担重担的人，可以到他这里来，他就使你们得安息。你们当负他的轭，学他的样式，这样，你们心里就必得享安息。（马太福音11:28-29）

 

(21) Chorus 合唱
His yoke is easy, his burthen is light. (Matthew 11: 30)
他的轭是容易的，他的担子是轻省的。（马太福音11:30）

 

Part：II
第二部分

(23) Air (Alto) 咏叹调（女低音）
He was despised and rejected of men: a man of sorrows, and acquainted with grief. (Isaiah 53:3)
 [He]gave [His] back to the smiters, and [His] cheeks to them that plucked off the hair: [He] hid not [His] face from shame and spitting. (Isaiah 50:6)
他被藐视，被人厌弃，多受痛苦，常经忧患。（以賽亚书53:3）
人打我的背、我任他打。人拔我腮颊的胡须、我由他拔。人辱我、吐我，我并不掩面。(以賽亚书50:6)

 

(25) Chorus 合唱
And with his stripes we are healed. (Isaiah 53:5)
因他受的鞭伤我们得医治。（以賽亚书53:5）

 

(26) Chorus 合唱
All we like sheep have gone astray, we have turned ev'ry one to his own way; and the Lord hath laid on him the iniquity of us all. (Isaiah 53:6)
我们都如羊走迷，各人偏行己路，耶和华使我们众人的罪孽都归在他身上。（以賽亚书53:6）

 

(38) Air (Soprano) 咏叹调（女高音）
How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things! (Isaiah 52:7)
那报佳音、传平安、报好信、传救恩的、对锡安说：你的　神作王了。这人的脚登山何等佳美。（以賽亚书52:7）

 

(44) Chorus 合唱
Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah! The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah! King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah! (Revelation 19:6; 11:15; 19:16)
哈利路亚！因为主我们的上帝，全能者作王了。世上的国成了我主和主基督的国；他要作王，直到永永远远。万王之王，万主之主。（启示录19:6，11:15，19:16）

 

Part：III
第三部分

(45) Air (Soprano) 咏叹调（女高音）
I know that my redeemer liveth, and that He shall stand on the latter day upon the earth. And though worms destroy this body, yet in my flesh shall I see God. (Job 19:25-26)
 [For] now is Christ risen from the dead. . . the firstfruits of them that [sleep]. (1Corinthians 15:20)
我知道我的救赎主活着，末了必站立在地上。我这皮肉灭绝之后，我必在肉体之外得见上帝。（约伯记 19:25-26）
基督已经从死里复活、成为睡了之人初熟的果子。（哥林多前书15:20）

 

(47) Recitative (Bass) 宣叙调（男低音）
Behold, I tell you a mystery; we shall not all sleep, but we shall all be chang'd, in a moment, in the twinkling of an eye, at the last trumpet. (1 Corinthians 15:51-52a)
我如今把一件奥秘的事告诉你们：我们不是都要睡觉，乃是都要改变，就在一霎时，眨眼之间，号筒末次吹响的时候。（哥林多前书15:51-52）

 

(48) Air (Bass) 咏叹调（男低音）
The trumpet shall sound, and the dead shall be rais'd incorruptible, and we shall be chang'd. For this corruptible must put on incorruption, and this mortal must put on immortality. (I Corinthians 15:52b-53)
号筒要响，死人要复活，成为不朽坏的，我们也要改变，这必朽坏的总要变成不朽坏的，这必死的总要变成不死的。（哥林多前书15:52-53）

 

(53) Chorus 合唱
Worthy is the Lamb that was slain, and hath redeemed us to God by His blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing and honour, glory and pow'r be unto Him that sitteth upon the throne, and unto the Lamb, for ever and ever. Amen. (Revelation 5:12-14)
曾被杀的羔羊，是配得权柄、丰富、智慧、能力、尊贵、荣耀、颂赞的。愿颂赞、尊贵、荣耀、权势都归给坐宝座的和羔羊，直到永永远远。阿们！......（启示录5:12-14）

 

 

 

 

        教会音乐是欧洲艺术音乐的源头，西方文明的基本价值体系都是建立在基督精神的基础上。
        圣乐既传达上帝给人们的启示，又表现人们对上帝的崇敬、赞美、信靠和祈求。从巴洛克时期、古典时期到浪漫时期，众多音乐大师，譬如巴赫、亨德尔、莫扎特、贝多芬等等都给我们留下了极其丰富的音乐。
        愿我们的赞美之声不断，愿更多虔诚、庄严、优美的赞美响彻圣殿，一切颂赞归于主耶稣基督。

 

        上帝创造音乐，也坚持不懈地创造着莫扎特。
        莫扎特说：「我永远感激我的创造者，并由衷祝福我周围的人都可以有像我一样的幸福感。」他也曾对友人说：「我敬畏甚至害怕那位全能的掌权者——上帝，但却也深知祂的慈爱无限，我绝不辜负祂赏赐给我的音乐天分。」  
        正是这种对上帝的坚定信心，帮助莫扎特超越了坎坷的道路和痛苦的经历，写出一曲又一曲传扬后世的音乐杰作。

        路德有句名言∶「上帝的话语与音乐有最密切的结合。」
        双簧管有着美妙的乐音，此协奏曲音乐和谐、简单、均衡，平易近人，以双簧管为主奏，乐队协奏。该C大调双簧管协奏曲是双簧管的经典作品，也可以说是最好听最优美而最难演奏的乐曲之一，并且已成为世界双簧管比赛的最高阶段的固定必吹曲目之一。

 

第一乐章：
        活泼的快板 (Allegro aperto)
        旋律流畅，开朗活泼，感情朴实明朗，洋溢着赞美的气息。双簧管与乐队一呼一应，一问一答，有快有慢，错落有致。

 

第二乐章：
        不太慢的行板 (Adante ma non troppo)
        抒情优美的徐缓乐章，纯净、谦虚，有着无法想像的超然平静。和声缓慢优美而无波澜地述说着基督的爱，同时可以感受到「上帝的羔羊基督，你洗却世上的罪，请赐予我们和平。」

 

第三乐章：
        回旋曲，快板 (Rondo. Allegro)
        气氛轻快，活泼。三次主题旋律的出现仿佛是耶稣复活后三次向门徒的显现。音乐充满平安喜乐，充满盼望的感觉。

 

All the Glory belongs to Jesus!
复活节 Easter Sunday, April 12 , 2009 

 

“圣诞的祝福”平安夜音乐会

Christmas Eve Concert 2008

 

        时间：2008年12月24日 星期三 晚上 7:15 pm
        地点：广州美术学院 学生活动中心二楼

                  （昌岗校区-广州海珠区昌岗东路257号）
        24 December 2008 (Wednesday) 7:15 pm

        The Guangzhou Academy of Fine Arts

 

        门票：凭邀请函进场。（设奉献箱，接受奉献。）

        免费索取电话：020 - 3183 0702  E-mail: i-art@qq.com

      （限50张，无人值守时请发短信或邮件。）

 

曲目:

1. A Christmas Tradition 圣诞传统联奏
2. Traditional：The First Noel 圣诞佳音
3. Bach-Stokowski: Sheep May Safely Graze 羊儿安详地吃草
4. Frank: Panis Angelicus 天赐灵粮
5. Pachebel：Canon 卡农
6. Mozart：Ave Verum Corpus 圣体颂
7. Ornstein：Minuette in Antique Style 前奏与小步舞曲
8. Bach：Jesu, Joy of Man's Desiring 耶稣，仰望人们的喜悦
9. Handel：Hallelujah 哈利路亚
10.Adam：O Holy Night 神圣之夜
11.Marks：Rudolph the Red-Nosed Reindeer 红鼻子驯鹿鲁道夫
12.Anderson：Sleigh Ride 雪撬
Encore - Pieront：Jingle Bells 铃儿响叮当

 

1. A Christmas Tradition 圣诞传统联奏
联奏由三首圣诞传统的小曲组成：
        Handel:Joy to the World 普世欢腾
        Davis:Good King Wenceslas 善王温赛拉斯
        Wesley:Hark! the Herald Angels Sing 听，天使在高声歌唱
让人从心灵中爆发出欢欣喜乐。它铿锵有力的音符，如滚滚后浪推前浪，迫不及待地把欢乐泉源注入人心。天使高声唱：“荣耀归与新生王！”天人从此长融洽，恩宠平安被万方！万国众生灵，响应诸天歌颂声，加入天军传喜信：“基督生于伯利恒！”这就是耶稣，我们的国王，牧羊人看护着他，天使们为他歌唱。

 

2. Traditional：The First Noel 圣诞佳音
天使初报圣诞佳音，先向田野贫苦牧人； 牧人正在看守羊群，严冬方冷，长夜已深。 牧人抬头见一明星，远在东方灿烂光明； 发出奇光照耀尘寰，不分昼夜，光彩无间。

 

3. Bach-Stokowski: Sheep May Safely Graze 羊儿安详地吃草

 

4. Frank: Panis Angelicus 天赐灵粮

 

5. Pachebel：Canon 卡农

 

6. Mozart：Ave Verum Corpus 圣体颂

 

7. Ornstein：Minuette in Antique Style 前奏与小步舞曲
长笛和单簧管的二重奏

 

8. Bach：Jesu, Joy of Man's Desiring 耶稣，仰望人们的喜悦

 

9. Handel：Hallelujah 哈利路亚

 

10. Adam：O Holy Night 神圣之夜
神圣之夜！闪烁着耀眼星光，这是我们亲爱的救世主的降生之夜。衪真诚地要我们彼此相爱，衪的法则就是爱，衪的福音就是把和平崇尚，以感恩之心，我们把欢乐甘美之歌歌唱，为衪的名字，我们从内心深处歌唱。

 

11.Marks：Rudolph the Red-Nosed Reindeer 红鼻子驯鹿鲁道夫
鲁道夫这只驯鹿，因为长着一个红红的大鼻子，常常遭到其它的驯鹿的嘲笑和排挤。但是在某一年的圣诞夜，突然起了好浓好浓的大雾，伸手不见五指。驯鹿群都无法辨别方向，眼看就要没办法出发，来不及去分送礼物了。就在这个时候，圣诞老公公突然发现，鲁道夫又红又亮的鼻子发出的光芒，竟然可以照亮浓雾中的道路，于是让鲁道夫在鹿群的前面当作前导，负责开路，终于可以圆满的完成任务。这件事情之后，其它的驯鹿再也不会看不起鲁道夫了，都来跟他交朋友，而且都羡慕他有个红红的大鼻子哦！

 

12.Anderson：Sleigh Ride 雪撬
这是一首热情奔放，充满活力的管弦乐曲，音调、节奏富有鲜明的美国民间音乐的风格特点，在铃铛、马鞭、马蹄、马嘶等音响的衬托下，绘声绘影的表现了人们架着雪橇，策马飞驰的情景和兴高采烈的欢快心情。乐曲给人明朗欢快的情绪，让人不禁想起美丽雪景中的愉快童年。

 

13.Pieront：Jingle Bells 铃儿响叮当
这首歌是由詹姆斯?皮尔庞特创作的。皮尔庞特毕业于耶鲁大学，当过教师、律师、推销商。这首歌已成为圣诞节不可缺少的部分。歌曲唱出了圣诞节的温馨与喜乐，把耶稣的爱传递给了世人，歌中的风雪、雪橇、小马拉车、铃声、歌声令人欢快不已。这首歌是作为圣诞礼物送给孩子们的。

 

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